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Review

A Moving House or a Landscape

Shreya’s fascination lies at challenging perspectival, perceptive, and pre-conditioned notions in the processes of form making that keeps evolving with a touch of surprise or sublime. Among the rigorous built structures of her works are careful endeavour that results in moments of silence, of calm.

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Essay

Independent People

A truant pebble disturbs the otherwise clean, unwavering lines of the pavement in Tiananmen Square. One feels the urge to push it aside, restore the harmony of the composition. It’s impossible to do so as a viewer standing in front of an image. It also must not have been an easy task for those standing around while the image was made.

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Essay

Archive As Medium: Exploring the Performative Body

Archive, by nature, is based on a series of selections and deletions, the motivation being to preserve material deemed most representative of the production in question. I look at these questions through the processual journeys of the artists, spaces and productions to see if or how the notion of the archive extends beyond its traditional role as static repositories of information.

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Editor’s Note

Why Books?

My filter for books is purely an integrity of purpose and the creation and articulation of new bodies of knowledge. Books featured across this issue include those on paintings, botanical drawings, photography, cinema, textiles, design, architecture, ecology, children’s publication, material culture, exhibition catalogues and more; all made public within this new era of the Anthropocene.

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Review

Reflecting on the Self and the City

Chagani is emotional as he narrates how the city of Lahore with its historic red brick architecture has given him everything from the fulfilment of his goals to inspiration for art making. His site of discourse may appear to be a homage to the city of Lahore but the choice of material and meticulous making and production of his works call for a much more nuanced understanding of Chagani’s work.

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Photo Essay

Remember the Dead, Fight for the Living

Taslima Akhter’s ongoing project is on the garment workers’ life and struggle. In a unique collaboration, the volunteer quilters donate their memories and time to produce the commemorations for their relatives who fell victim to the 2013 Rana Plaza collapse. The quilts are intended to activate a conversation between the relatives of the victims and the public.

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