Unfolding the Possibilities of South Asian Contemporary Practice

As the art forces flourish across the globe through international fairs, festivals and biennales, creative collaborations have become the key driving force to enable such expansive cultural possibilities. These partnerships strengthen artistic ecosystems to anchor conversations that transcend geographical and political borders. Within South Asia, this exchange remains a generative terrain shaped by shared histories, interconnected cultural lineages and pressing contemporary urgencies. The region continues to be a fecund ground for artists and institutions to build new networks, to deflate the conventions and explore resonant narratives that speak to both local realities and global concerns. Building on this ongoing cycle of cross-cultural dialogue, Bhavna Kakar, Editor-in-Chief of TAKE on Art magazine, visited KALĀ at the invitation of Saskia Fernando, Founding Director of the institution. Their meeting  oriented towards the renewed commitment to strengthening regional artistic discourse and imagining collaborative futures. In this interview, Kakar sits down with Fernando to reflect on the dynamic possibilities unfolding across the South Asian art landscape: its emergent practices, its evolving networks, and the artists whose voices and visions are defining our contemporary moment. Together, they illuminate on how regional solidarity continues to shape the trajectory of art today.

Where Heritage Meets the Contemporary:  Inside the Making of Ahmedabad Cultural Week

From Screen to Society: Fashion, Film and the Humanitarian Heart of MASH Ball 2025

Kristine Michael Reflects on the Legacy of Vimoo Sanghvi

We are trying to both celebrate Vimoo’s life and works as well as bring her into the spotlight once again in the history of modern art in India, which often overlooks clay as a medium of expression and lesser-known artists. Much more work needs to be done in the project, for example, in both her teachers’ archives Ronald Cooper of the Willingdon Art School and Marianne de Trey’s archives in the UK. She did exhibit at the Commonwealth Artists Exhibition at the V&A Museum as well in the 70s.

Of Pichwai Arts and Aesthetic

Amplifying Artist-Philanthropists: Ravi Agarwal’s Ecology of Sharing

TAKE Philanthropy explores the evolving landscape of art philanthropy within a globalized context, highlighting its influence on artistic innovation, cultural diplomacy, and community development. In showcasing the country’s most impactful philanthropists, it is essential to amplify the voices of Artist-Philanthropists, who are making remarkable contributions to the art world. We feature Founder Trustee and initiator of the Shyama Foundation, artist Ravi Agarwal.

Revitalise Visual Arts in Chennai: Jaiveer Johal’s take on Avtar Foundation for the Arts

We have had a long history of patronage – from the royal princes and now merchant princes. This needs to be encouraged – the government can participate to make: import of artworks easier, and even make public spaces more accessible to private organisations who want to hold shows and events in such places. JNAF and CSMVS is a great example of how things can happen. Chennai Photo Biennale of which I am a patron is being allowed access to the Egmore Museum. If the ASI and the Ministry of Culture brings out a policy on how we can have better and more equitable access to these buildings and areas – it will help the entire art ecosystem.

Acts of Sharing Art: Conversation with Kiran Nadar

An interview with Kiran Nadar Chairperson, Kiran Nadar Museum of Art (KNMA) and Trustee, Shiv Nadar Foundation. Nadar has profoundly shaped and inspired the Indian art world, becoming a pivotal force in the country's cultural landscape, with an influential vision that has increased the visibility of Indian modern and contemporary art worldwide. Nadar is on the cusp of setting up the third art museum near the International Airport in the Capital designed by Adjaye Associates. This comes after an inclusive space at Saket Select City Walk which is still one of the most visited museums in the country with a healthy footfall, interactive AI projects and a solid collection of Modern and Contemporary Art. After premiering an AI project at the Venice Biennale featuring the maverick M F Husain, Nadar tells us that one must pay attention to the fine print of working with AI and keep sight of the larger picture. She is excited about the upcoming shows, the India Art Fair and several outreach art programmes and activities designed for children and adults. Georgina Maddox caught up with Kiran Nadar and discussed being one of India’s premium Art Philanthropists; with her, outlining its joys, challenges and plans for the future.

Of Modernism and Rebellion Arts: Gobardhan Ash Retrospective (1929 – 1969)

The latest exhibition Gobardhan Ash Retrospective (1929 – 1969) presented by Prinseps at Kolkata Centre for Creativity is a testament to the artist’s unwavering commitment to experimentation and innovation. While some artists may find comfort in sticking to a particular style or technique, Ash thrives on pushing the boundaries of his craft. His willingness to explore new avenues and challenge conventional norms has earned him both critical acclaim and adoration from art enthusiasts around the world. One of the most intriguing aspects of Ash's work is his ability to imbue his creations with layers of meaning and symbolism. Every brushstroke, every hue, every composition tells a story – a story that is open to interpretation yet deeply personal to the artist. As viewers navigate through the labyrinth of his imagination, they are invited to uncover the hidden truths that lie beneath the surface, to embark on a journey of self-discovery and introspection. As visitors step into the gallery space, a sensory feast – a symphony of colours, textures, and forms that beckon them to explore further, greets them. From the moment they set foot inside, they are transported to a realm where reality and imagination converge, where boundaries blur and possibilities abound. In an interview with Dilpreet Bhullar, the curators of the exhibition Brijeshwari Kumari Gohil and Harsharan Bakshi unfold the making of Gobardhan Ash Retrospective (1929 – 1969).

200 Years and Counting: Brasilia, Art and Architecture: Manan Shah in conversation with Leticia Marranghello

The museums traditionally have been the representatives of history and human civilisation. Over the course of time, they have evolved to have a multi-disciplinary nature in terms of having an audience-friendly milieu by including a variety of programs and outreach activities. In the said manner, Bihar Museum in Patna has been working towards creating an environment which attracts visitors, providing information with an interactive experience. Bihar Museum, moving beyond the place of traditional knowledge systems, has forged to become a space for cultural exchange, inviting national and international artists, speakers and exhibitions to Patna.