Dreaming Together
Memory as a Method: Textures of Anticolonial Legacy in Birsa Munda Rebellion
Cooking with Fire and Making Art: What Makes us Human Collaboration at Bukhara Biennial’s Café Oshqozon
Hylozoic/Desires
Indian Parampara versus the Mythology of the Lone Genius
Participation Is Not a Formula
Raqs Media Collective: Critical Intervention and Creative Resistance Coalesce into a Collaborative Constellation
Crossing the Invisible Borders
Collaboration as Crossings: KNMA in the Global South
Jaipur Against the Grain: Craft, Colour and Contemporary Knowledge
Manisha Gera Baswani: The Poetics of Transnational Memory
Catching the Bull by its Horns: Tyeb Mehta
Manifesto of What is After
Whimsical Reality of Madhvi Parekh’s Folk Modernism
Power Structures Through the Looking Glass: Young Curators’ Perspectives
Sculpting the Century: Reflections on Materiality and Modern Indian Sculpture
Vivan Sundaram’s Elegiac: Last Inquiries
The Arche-signs of the Ancestors: Prasanta Sahu
Twenty-First Century Meditations on Land
Amphibian Aesthetics: Lens to Hyphenated Identity
Where Archives Breathe: Self-Narration and Oceanic Memory in AUTOPOIESIS
The Long Now Of Us: Collage, Memory, and Contextualising Return
A Symbol of Rebuilding, Renewal and Reimagining: Chobi Mela Returns
Mapping a Memory
(Un)Layering Histories Through a Young Generation Of South Asian Voices
Ellora: An Enduring Love Affair
unmyth: Works and Worlds of Mithu Sen
TV Santosh, History Lab and the Elegy of the Visceral Incantations
Speech Acts
Redefining the Twenty-First Century Museum
Unfolding the Possibilities of South Asian Contemporary Practice
Quiet Forms of Resistance
International Symposium: Indigenous: Resistant Epistemologies and the Normative Frame of the Contemporary
The Ardee Foundation: Beacon of Art, Education and the Ethics of Cultural Stewardship in Contemporary India
South Asia in Motion: TAKE on Art × KALĀ
AWA 2025-26
The Act of Giving - A Fly on the Wall
