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Review

A Symbol of Rebuilding, Renewal and Reimagining: Chobi Mela Returns

The South Asian country of Bangladesh is in the throes of political change. In July 2024, commonly called the July Revolution, a student, Gen Z-led, pro-democracy mass movement resulted in ousting Prime Minister Sheikh Hasina.

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Review

Where Archives Breathe: Self-Narration and Oceanic Memory in AUTOPOIESIS

The exhibition stages a structural intervention within a region long shaped by layered violences and oceanic crossings, treating the body as a relational field. Mahbubani, whose great-grandparents were forced to migrate from Sindh following Partition, places her own body within this terrain.

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Review

Sujata Bajaj on the cosmos to explore infinity of deep space

A sky full of twinkling stars is perhaps one of the earliest fascinations of human race. It is not difficult to imagine the first men, women, and children—who appeared approximately 3 million years ago—looking up in wonder with the setting of the sun and beginning to see guiding lights in the sky.

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Review

Mapping a Memory

Arpita Singh, A Feminine Tale, 1995. Copyright: Arpita-Singh, Image Credit: Justin Piperge. A distinctly chalky pink predominates Arpita Singh’s canvases. Sometimes it appears in wreaths of flowers blooming in unbeckoned corners of the canvas, or in candy-floss-like clouds dotted over a bustling Delhi.

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Current Issue

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Collaboration

TAKE Collaboration turns attention to a critical yet under-examined force in South Asian art: collaboration as both method and mindset. Moving beyond the focus on individual authorship, this issue maps how artists, curators, communities, and institutions co-create meaning in an increasingly interconnected and complex world. At a moment shaped by digital shifts, global entanglements, and urgent social questions, collaboration emerges not just as practice, but as a necessary framework for thinking and working together. Bringing together diverse voices, the issue repositions art as a space of dialogue, negotiation, and shared responsibility; where creativity, care, and collective purpose intersect. In doing so, TAKE Collaboration reimagines the art world as a living ecology of relationships, offering new ways to understand how artistic, ethical, and political concerns converge today.

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Inside Collaboration

Dreaming Together

Memory as a Method: Textures of Anticolonial Legacy in Birsa Munda Rebellion

Cooking with Fire and Making Art: What Makes us Human Collaboration at Bukhara Biennial’s Café Oshqozon

Hylozoic/Desires

Indian Parampara versus the Mythology of the Lone Genius

Participation Is Not a Formula

Raqs Media Collective: Critical Intervention and Creative Resistance Coalesce into a Collaborative Constellation

Crossing the Invisible Borders

Collaboration as Crossings: KNMA in the Global South

Jaipur Against the Grain: Craft, Colour and Contemporary Knowledge

Manisha Gera Baswani: The Poetics of Transnational Memory

Catching the Bull by its Horns: Tyeb Mehta

Manifesto of What is After

Whimsical Reality of Madhvi Parekh’s Folk Modernism

Power Structures Through the Looking Glass: Young Curators’ Perspectives

Sculpting the Century: Reflections on Materiality and Modern Indian Sculpture

Vivan Sundaram’s Elegiac: Last Inquiries

The Arche-signs of the Ancestors: Prasanta Sahu

Twenty-First Century Meditations on Land

Amphibian Aesthetics: Lens to Hyphenated Identity

Where Archives Breathe: Self-Narration and Oceanic Memory in AUTOPOIESIS

The Long Now Of Us: Collage, Memory, and Contextualising Return

A Symbol of Rebuilding, Renewal and Reimagining: Chobi Mela Returns

Mapping a Memory

(Un)Layering Histories Through a Young Generation Of South Asian Voices

Ellora: An Enduring Love Affair

unmyth: Works and Worlds of Mithu Sen

TV Santosh, History Lab and the Elegy of the Visceral Incantations

Speech Acts

Redefining the Twenty-First Century Museum

Unfolding the Possibilities of South Asian Contemporary Practice

Quiet Forms of Resistance

International Symposium: Indigenous: Resistant Epistemologies and the Normative Frame of the Contemporary

The Ardee Foundation: Beacon of Art, Education and the Ethics of Cultural Stewardship in Contemporary India

South Asia in Motion: TAKE on Art × KALĀ

AWA 2025-26

The Act of Giving - A Fly on the Wall

TAKE Features

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Review

Mapping a Memory

Arpita Singh, A Feminine Tale, 1995. Copyright: Arpita-Singh, Image Credit: Justin Piperge. A distinctly chalky pink predominates Arpita Singh’s canvases. Sometimes it appears in wreaths of flowers blooming in unbeckoned corners of the canvas, or in candy-floss-like clouds dotted over a bustling Delhi.

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Take Editions

Unique, limited editioned and handcrafted affordable artworks by eminent artists exclusively commissioned for TAKE on Art.

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