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Review

A Symbol of Rebuilding, Renewal and Reimagining: Chobi Mela Returns

The South Asian country of Bangladesh is in the throes of political change. In July 2024, commonly called the July Revolution, a student, Gen Z-led, pro-democracy mass movement resulted in ousting Prime Minister Sheikh Hasina.

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Review

Where Archives Breathe: Self-Narration and Oceanic Memory in AUTOPOIESIS

The exhibition stages a structural intervention within a region long shaped by layered violences and oceanic crossings, treating the body as a relational field. Mahbubani, whose great-grandparents were forced to migrate from Sindh following Partition, places her own body within this terrain.

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Review

Sujata Bajaj on the cosmos to explore infinity of deep space

A sky full of twinkling stars is perhaps one of the earliest fascinations of human race. It is not difficult to imagine the first men, women, and children—who appeared approximately 3 million years ago—looking up in wonder with the setting of the sun and beginning to see guiding lights in the sky.

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Review

Mapping a Memory

Arpita Singh, A Feminine Tale, 1995. Copyright: Arpita-Singh, Image Credit: Justin Piperge. A distinctly chalky pink predominates Arpita Singh’s canvases. Sometimes it appears in wreaths of flowers blooming in unbeckoned corners of the canvas, or in candy-floss-like clouds dotted over a bustling Delhi.

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Miniature

TAKE Miniature turns its attention to one of South Asia’s most enduring yet continually evolving artistic traditions: miniature painting as a language of intimacy, precision, memory, and exchange. Moving beyond the idea of miniature as simply a question of scale, this issue traces how artists have carried, adapted, questioned, and transformed its inherited vocabularies across centuries. From Buddhist and Jain manuscripts to Mughal, Rajput, Pahari, Deccan and regional traditions, miniature has always been shaped by movement, encounter, patronage, and cultural exchange. Bringing together artists, writers, curators and practitioners, the issue considers how tradition can remain alive without becoming static. In doing so, TAKE Miniature explores the form’s contemporary possibilities, where technique, politics, memory, identity, ecology, and personal narratives converge, revealing miniature as an expansive field of artistic dialogue rather than a fixed historical category.

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Review

Amphibian Aesthetics: Lens to Hyphenated Identity

Not a celebratory idea of nature’s unique benevolence, i.e., the amphibian, but a nudge to the human tribe to recognise and acknowledge the abyss of apocalypses it has entailed in the face of unchecked urban development. The hyphenated identity of an amphibian, which can live on land as well as in water, within the realm of the exhibition, epitomises the catastrophe humans have waged on the Earth, only to break its existence rooted in harmony with nature. To mention, Amphibian Aesthetics marks the first exhibition presented at Ishara House, initiated by the Ishara Art Foundation in Dubai. The exhibition, alongside the Kochi Muziris Biennale, is organised in partnership with Aazhi Archives: a collective of artists, writers, scholars and researchers engaged in collaborative studies of Kerala’s maritime past and its changing artistic cultures.

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Unique, limited editioned and handcrafted affordable artworks by eminent artists exclusively commissioned for TAKE on Art.

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