Editor’s Note | By Bhavna Kakar
Representational ethics, the hidden face, and the work of memory
Essay | By Geeta Kapur
Letter from Lahore: An exchange between Neelam Hussain and Salima Hashmi (2016-2022)
Essay | By Salima Hashmi and Neelam Hussain
A Dacca Childhood: On Photographs and Family Memories
Essay | By Tapati Guha-Thakurta
Recreating and Embodying Lahore in Delhi
Essay | By Deepra Dandekar
1947 Partition and the Art of Zarina
Essay | By Iftikhar Dadi
Terrasonic Agency: Working the Earth
Essay | By Natasha Ginwala
(Post)memory Democracy Remembering Partition through Emergent Visual-Material Objects
Essay | By Manuela Ciotti
The Landscape of 1971: Museums, Memories, and the Aesthetics of Bangladeshi Nationalism
Essay | By Nubras Samayeen
Digital Archives and the Crowdsourcing of the Past
Essay | By Katja Müller
Re: Staging the Trial of Bahadur Shah Zafar (1858)
Essay | By Kanika Sharma and Zuleikha Chaudhari
Afterlives of the Constant Past in the Photographs from Kashmir: Rematerializing Space dotted by Mediation and Inscription
Essay | By Dilpreet Bhullar
Creole Indias and the Artistic Activation of Memory
Essay | By Ananya Jahanara Kabir
Partition Anti-Memorial Project: Resisting Political Appropriation through Feminist Art
Essay | By Jacque Micieli-Voutsinas
Intergenerational Memories of 1947 Partition: The South Asian Diaspora in the United Kingdom
Essay | By Aditi Kumar
‘The Contrarieties in our Longings’: Mohammed Rafi Fan Blog
Essay | By Arushi Vats
A Memorial for a Harvest: Dharmendra Prasad’s Museum of Grass
Essay | By Damian Christinger
Bani Abidi: Revisit the Many Haunts Borne by Unsung Warriors of the First World War
Review | By Dilpreet Bhullar
Listening to Lines: Encountering Nasreen Mohamedi
Review | By Aparna Andhare
Of Separation and Belonging: Sayed Haider Raza
Review | By Shruti Ramlingaiah
Review of ‘Event, Memory, Metaphor’
Review | By Aparna Andhare
Beyond the Dark Edge: Exploring the Nuanced World of Arunima Choudhury
Review | By Oindrilla Maity
Review | By Ranu Roychoudhuri
The World Expressed Through Diverse Mediums and in Different Voices
Review | By Georgina Maddox
The Universe in Me, I Am the Universe
Review | By Aditi Kumar
‘Jitish Kallat: Order of Magnitude’
Review | By Saloni
Field Report of a Cultural Worker’s Residency in Basel, Switzerland
Report | By Premjish Achari
A City Through Objects - 101 Stories from the Dr. Bhau Daji Lad Museum
Book Review | By Girish Shahane
Navjot At Work and Artist’s Notes
Book Review | By Dev Nath Pathak
Modernism/Murderism: The Modern Art Debate in Kumar
Book Review | By Sandhya Bordewekar
Splendors of Punjab: Art from the Khanuja Family Collection
Book Review | By Radhika Chopra
Let’s See
Book Review | By Cheryl Mukherji
Guftgu
Book Review | By Najrin Islam
Connecting the Dots of Memory
Interview | By Girish Shahane in conversation with Manisha Gera Baswani
Metaphor and Memory
Interview | By Lina Vincent in conversation with Subodh Kerkar
A Repository of Rich Indian Art finds a New Life in Bihar Museum
Interview | By Bhavna Kakar in conversation with Anjani Kumar Singh
Preserved and Framed
Interview | By Pratap Bose in conversation with Priya Khanna
The Memory of Ice
Interview | By Soledad Gutiérrez Rodríguez in conversation with Himali Singh Soin and David Soin Tappeser
Fly on the Wall
Photo Essay | By Manisha Gera Baswani
Tangled Hierarchy
Photo Essay | By Jitish Kallat
What Future Hides: Writing Critically In/For a Changing Nation
TAKE Pick | By TAKE Symposium
Amitesh Grover
Artists’ Intervention | By Amitesh Grover
Arpana Caur
Artists’ Intervention | By Arpana Caur
Sheba Chhachhi
Artists’ Intervention | By Sheba Chhachhi
Nilima Sheikh
Artists’ Intervention | By Nilima Sheikh
Apnavi Makanji
Artists’ Intervention | By Apnavi Makanji
