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Review

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Review

Blood Red and Tears

Beneath the veneer of a triumphant and joyful comeback, undertones of physical trauma could be discerned. Here was clearly a vivacious spirit, trapped in a failing body. Then barely a year after that moving exhibition, she had succumbed to her illness.

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Fragmented Manuscript

Unlike Baldwin’s white man Waswo’s protagonist is not a conqueror. He is a refugee. Modelled on Waswo, he realises his privileges and differences, also cherishes the hospitality he enjoys and laments the difficulties he had faced to establish a career, political expression and free expression of desires.

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‘Reena Saini Kallat: Blind Spots/ Scotoma’

This exhibition could easily have been called A Border Tale. Because it deals with the divisions created and engendered by man to separate people by faith, by ideology and by colour, it takes on a special significance in today’s global environment of bias, mistrust and discrimination.

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‘Know…Not This’

While the contemporary art scenario is busy debating over ideas and images, Khanjan Dalal and Radhika Hamlai bring to us the process of discovering the image in the experience of making it. Both the artists showed their work at Gallery 079, Ahmedabad in November 2019.

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Seema Kohli’s ‘A Circle of Our Own’

Cutting across faith and caste people have been flocking the Nizamuddin Basti in Delhi. All come for relief from physical ailments and some for just blessings from the Sufi saint. It was the midst of this area that the Delhi based artist Seema Kohli chose to exhibit her latest show, A Circle Of Our Own.

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Portraits in Pictures

Ghiya presents his creations with a vague matrix-like flair, announcing a Download Error that will be familiar to anyone who had tried to access a heavy picture file from internet. And for a moment it seems as if there has been a serious problem in printing out the images displayed.

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