Indigenous. Resistant Epistemologies and the Normative Frame of the Contemporary
This two-day international symposium brings together Indigenous voices and allies to explore the global resurgence of Indigenous epistemologies, artistic practices, and worldviews. Titled Indigenous: Resistant Epistemologies and the Normative Frame of the Contemporary, the gathering takes a planetary, non-universalist approach to honouring ontological, epistemological, and aesthetic sovereignty. The term “Indigenous,” while gaining prominence through the 2007 UN Declaration on the Rights of Indigenous Peoples, remains complex—resisting homogenization and advocating for epistemic diversity. Acknowledging the challenges of framing distinct identities (Adivasi, Aboriginal, First Nations, Autochthonous) under one term, this symposium emphasizes the need for contextual, historically conscious engagement. Drawing from ancestral, colonial, and contemporary temporalities, the conference centers “ancestrality”—a concept evoking inter-substantiation between humans, land, ancestors, and non-human forces—as the heart of Indigenous sovereignty. As Aboriginal Geonpul scholar Aileen Moreton-Robinson writes, this sovereignty is embodied and relational, contrasting Western notions grounded in territory, rights, and contracts. The contemporary art world often flattens Indigenous complexity under the guise of inclusion. This conference calls for an epistemological and structural transformation to truly “meet” Indigenous knowledge systems on equitable terms. It offers a platform for thinkers, artists, curators, collectors, poets, scholars, and land guardians—Indigenous and allied—whose practices hold the potential to reshape our present and future. Following the Indigenous issue of TAKE on Art (Spring 2025 guest edited by Katya García- Antón, with a second issue coming up in December 2025), the symposium furthers its mission: to deepen connections across lands, voices, and worldviews within the 500-million-strong global Indigenous community. It is a celebration and critical inquiry into the agency, resilience, and artistic sovereignty of Indigenous creators—and a call to co-create new ethical, political, and aesthetic solidarities.
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