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Blogs

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Notes on Perspective

Published on 08 June 2023

This blog is long overdue, and for the next few days, I am going to revisit key moments from the last few weeks of my residency. My last blog post was from the week before I travelled to Bern to attend a theatre festival, auawirleben, alongside a workshop on theatre and race at the University …

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Encountering structure/s

Published on 02 May 2023

A residency can get incredibly lonely. You spend a couple of months in a new environment, too short to call it home, but also too long to take comfort in the novelty of fleeting encounters. It’s a strange collision of being here and not really being here.  I look at maps where I am a …

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How to walk again?

Published on 25 April 2023

    How do you constitute the body through language? Over this first week in Winterthur, I’ve tried to sort through the questions informing my project, in order to arrive at what, how and why. And to acclimatize. Right now, I have more questions than answers. How do you constitute the body through language even …

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TAKE on Art x ART DUBAI 2023

Published on 15 February 2023

TAKE on Art is excited to announce its media partnership this year with Art Dubai’s 16th edition that takes place at Madinat Jumeirah, Dubai, UAE from 3rd to 5th March 2023 (previews on Wednesday 1st and Thursday 2nd March). Discover an exciting lineup of galleries, events and experiences at this year’s fair with the programming …

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TAKE on Art Collaborates with the Debut Art SG as Exhibiting Media Partner

Published on 11 January 2023

TAKE on Art is pleased to announce that we will be an Exhibiting Media Partner of ART SG, Southeast Asia’s largest-ever art fair. ART SG opens this Wednesday, 12 January, at the Marina Bay Sands Expo and Convention Centre, Singapore. TAKE is the only magazine at ART SG representing the South Asia region.

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AWA Dispatch 1: The Burden of Self-organisation

Published on 11 February 2022

While the overall ecosystem for art is much more benevolent and favourable in Switzerland, the struggles that artists face seem to be very similar to the Indian context. The similarity is the concrete uncertainty of being a precarious worker in the arts today.

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