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Indigenous

March 2025 Issue 32 View Index     Buy Now

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Memory as a Method: Textures of Anticolonial Legacy in Birsa Munda Rebellion

We Talk, You Listen

Venkat Raman Singh Shyam (Gond) Santosh Das (Mithila) Tushar & Mayur Vayeda (Warli) Bhuri Bai (Bhil) Jodhaiya Bai (Baiga)

Evolving Knowledge Systems

Reframing Indigenous Art: Voices of Resistance and Fugitive Aesthetics

The Head is a Streaming Pitcher: Rupture, Reclamation and Reinvention of Adivasi Knowledge

Bringing Traditional Artists to the Book

The Sovereign Forest, a collaboration with Sudhir Pattnaik and Sherna Dastur

Sueño de obsidiana (Obsidian Dream)

Exhibition Making and the Question of What Lies Beyond

Decolonization and Art in Bolivia: La Casa Grande del Pueblo (The Big House of the People)

To Be Discriminated Against or Not? Indigenous Drinking Coincides with Dispossession in Health

The Uncomfortable Museum

Ocean and Canoe

Tamba: reflections on revolution and rebirth

Women’s Knowledge in the Art from Indonesia Indigenous Artists

Janjatiya Sangrahalaya: A Paradigm Shift in Museum Curation and Ethnographic Representation

Tracing the Evolution of Banaras and the Role of its Diverse Communities

Gulistan

Himmat Shah Retrospective

The Elemental You

Dhavat and His Jungle

The Posthuman in Heaven (And That Other Place)

Histories Loved and Tempered: What the Nilima Sheikh Archives reveal

When Indian Flowers Bloomed in Distant Lands

From the Ghor to the Gallery: Liberating the Feminine Realm in Indian Art

Ephemeral Visages

Women, Modernism, and Resistance: Reminiscing

Black Noise

The Horizon in Between: Bridging Indian Art and Politics

Belinder Dhanoa: Kasauli Art Centre 1976 - 1991

Art as a Winding River: The Bengal Biennale through Cross-Currents

Latika Katt

Echoes of Fur

Shaheen Merali
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