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Collaboration

March 2026 Issue 33 View Index     Buy Now

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Dreaming Together

Memory as a Method: Textures of Anticolonial Legacy in Birsa Munda Rebellion

Cooking with Fire and Making Art: What Makes us Human Collaboration at Bukhara Biennial’s Café Oshqozon

Hylozoic/Desires

Indian Parampara versus the Mythology of the Lone Genius

Participation Is Not a Formula

Raqs Media Collective: Critical Intervention and Creative Resistance Coalesce into a Collaborative Constellation

Crossing the Invisible Borders

Collaboration as Crossings: KNMA in the Global South

Jaipur Against the Grain: Craft, Colour and Contemporary Knowledge

Manisha Gera Baswani: The Poetics of Transnational Memory

Catching the Bull by its Horns: Tyeb Mehta

Manifesto of What is After

Whimsical Reality of Madhvi Parekh’s Folk Modernism

Power Structures Through the Looking Glass: Young Curators’ Perspectives

Sculpting the Century: Reflections on Materiality and Modern Indian Sculpture

Vivan Sundaram’s Elegiac: Last Inquiries

The Arche-signs of the Ancestors: Prasanta Sahu

Twenty-First Century Meditations on Land

Amphibian Aesthetics: Lens to Hyphenated Identity

Where Archives Breathe: Self-Narration and Oceanic Memory in AUTOPOIESIS

The Long Now Of Us: Collage, Memory, and Contextualising Return

A Symbol of Rebuilding, Renewal and Reimagining: Chobi Mela Returns

Mapping a Memory

(Un)Layering Histories Through a Young Generation Of South Asian Voices

Ellora: An Enduring Love Affair

unmyth: Works and Worlds of Mithu Sen

TV Santosh, History Lab and the Elegy of the Visceral Incantations

Speech Acts

Redefining the Twenty-First Century Museum

Unfolding the Possibilities of South Asian Contemporary Practice

Quiet Forms of Resistance

International Symposium: Indigenous: Resistant Epistemologies and the Normative Frame of the Contemporary

The Ardee Foundation: Beacon of Art, Education and the Ethics of Cultural Stewardship in Contemporary India

South Asia in Motion: TAKE on Art × KALĀ

AWA 2025-26

The Act of Giving - A Fly on the Wall

Shaheen Merali